PPD FdA Graphic Design
Thursday, 9 May 2013
Stefan Sagmeister (Research Task 1)
Stefan Sagmeister
Stefan Sagmeister is a designer who has been following his instinct and intuition to the fullest, having gained recognition for his unique and often provocative, visual explorations. It’s possibly his very personal and almost self-centric way to design that leads to his original approach.
A bit of history. When the Austrian born designer moved to New York he made it his mission to work for the legendary designer Tibor Kalman at M&Co before starting his own studio in 1994.
On May 31, 19 years after starting his NYC studio he once again surprised the crowds with renaming to Sagmeister & Walsh in a trademark Sagmeister fashion (naked in the studio.)
Sagmeister earned Grammys for his iconic music
packaging art (see his David Byrne CD covers). With his poster designs for the AIGA, as well as a slew of heralded personal projects. It’s safe to say that his status as a design superstar has been cemented.
On May 31, 19 years after starting his NYC studio he once again surprised the crowds with renaming to Sagmeister & Walsh in a trademark Sagmeister fashion (naked in the studio.)
packaging art (see his David Byrne CD covers). With his poster designs for the AIGA, as well as a slew of heralded personal projects. It’s safe to say that his status as a design superstar has been cemented.
Neville Brody (Research Task 1)
Neville Brody is perhaps the best known graphic designer of his generation. He studied graphic design at the London College of Printing and first made his way into the public eye through his record cover designs and his involvement in the British independent music scene in the early 1980s.
As the Art Director of Fetish he began experimenting with the beginnings of a new visual language that consisted of a mixture of visual and architectural
elements. Later he was able to put these ideas into practice and to set new
precedents through the innovative styling of The Face magazine (1981-1986).
Brody also won over much of the public through his highly innovative ideas on incorporating and combining
typefaces into design. Later on he took this a step further and began designing his own typefaces,
therefore opening the way for the advent of digital type design.
It was his work on magazines that firmly established his reputation as one of the world’s leading graphic designers. In
particular, his artistic contribution to The Face completely revolutionised the way in which designers and readers approach the medium. Though Brody rejected all commercialisation of his graphic style, his unique designs soon became much-imitated models for magazines, advertising and consumer-oriented graphics of the eighties.
elements. Later he was able to put these ideas into practice and to set new
precedents through the innovative styling of The Face magazine (1981-1986).
Brody also won over much of the public through his highly innovative ideas on incorporating and combining
typefaces into design. Later on he took this a step further and began designing his own typefaces,
therefore opening the way for the advent of digital type design.
It was his work on magazines that firmly established his reputation as one of the world’s leading graphic designers. In
particular, his artistic contribution to The Face completely revolutionised the way in which designers and readers approach the medium. Though Brody rejected all commercialisation of his graphic style, his unique designs soon became much-imitated models for magazines, advertising and consumer-oriented graphics of the eighties.
Ideas and inspiration
These great examples of double page spreads are ones that i take inspiration from and will include aspects uaed here in my own work.
Personally I am a great fan the use of white space, I feel that it gives a sense of
simplicity and makes the page look more modern and proffesional.
on the other hand, filling a page with an image and having text overlaying it also makes a great spread.
Here are a few double page spread that caught my eye. All of them are different but unique in their own ways.
The first one intituled “HARD TIMES” I especially like becasue of its rough cut “n” stick and the colours that are used are linked the to the topic of the article which is electronic music and dance scene.
I plan to use these elements in my own work.
My Brief And Development Of Skills
This Project allows me to explore into another industry that I am very passionate about whic is the music industry. I feel that I am going to enjoy this project as I can interlink graphic design with music to create my final outcome.
During this project I will able to use the new skills that I have learnt of the last few weeks of my college course.
Here are some of the skills that I think I will be able to use and improve during the course of this project.
I have been practicing kerning and using sites such as type.method.ac (kern me) this site proved very helpful and gave me more of an understanding about kerning.
During this project I plan to use kerning in all type that I use to make my work look more professional.
My Brief Analysis
My brief is an interesting and insipring one as it is a competition and also gives me a wide range of opportunities to explore.
The Society of Publication Designers is dedicated to promoting and encouraging excellence in editorial design. Every year, SPD holds a professional competition to find the best editorial design out there. Now students have the chance to be a part of this world-class event!
The section that I have chosen is to Design a two-spread story for this magazine that is a biography or interview. I am Treating this as a interview and I have chosen one of my favourite music artists to base it on. The main focus will be on a man called Jamie Jones.
In order to create this project with understanding I must first research design layouts for a interview style reports in magazines and newpapers, major influences will come from magazines such as MixMag and DJmagazine, both have great,attractive and modern layouts to their pages that appeal to the readers.
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